Articles

85 results

Roundtable Discussion: Policy, Data and the UK's Hidden Screen Industries

Emily Caston

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 9

Soho’s ‘other’ film industry: Researching Hidden Screen Economies

Oliver Carter

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 3

Revealing and Concealing Oil: The Hidden Screen Industry of Animated Petroleum Films

Malcolm Cook

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 6

Fashion Film and the Art and Archaeology of Screen Promotion.
Fashion Film and the Art and Archaeology of Screen Promotion.

Emily Caston and Marketa Uhlirova

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 8

The Moving Picture Company: Innovators and Early Adopters of British Video Post-production.

Emily Caston

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 7

Medicine on Film: A British Case History

Angela Saward

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 4

The Full Picture:  Perspectives on an Archaeology of British Screen Advertising Production 

Emily Caston

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 2

Hidden Screen Industries: The ‘Known Unknown’ in Screen History.

Emily Caston

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 1

‘Taken by my wife’ – Challenging the Amateur/professional binary in Wessex Film and Sound Archive’s (WFSA) Early Films (1895-1922)

Zoe J Viney Burgess

2024-12-30 Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries • Article 5

Smartphone film, memory’s connective turn and the aesthetics of embodiment in Do You Remember That Year? (2020)

Piotr Cieplak

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Flashes in the Pan: Short Lived Trends, Television Star Specials, and the Transmedia Contexts of Elvis Presley’s 1968 “Comeback”

Anthony Thomas McKenna

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Şehnaz, Elmas, Mina, and the Others, Who Kill The Angel in Their Houses

Pinar Fontini

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Book Review: Cardwell, Sarah, Jonathan Bignell, and Lucy Fife Donaldson (eds), Epic / Everyday: Moments in Television (Manchester, UK: Manchester University Press, 2023).

Leanne Weston

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Review: K. J. Donnelly and Louis Bayman (eds.), Folk Horror on Film. Return of the British Repressed

Tim Lindemann

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker
'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker

James Michael Slaymaker

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Tennis | House: Medical Imaging as Videographic Criticism

Kevin L Ferguson

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Abraham Lincoln in the Hollywood cinema
Abraham Lincoln in the Hollywood cinema

Tom Brown

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)
Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)

Gillian Kelly

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).
Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).

Kevin Geddes

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Jon Lewis, The Godfather, Part II (London: Bloomsbury, 2022)
Book Review: Jon Lewis, The Godfather, Part II (London: Bloomsbury, 2022)

Tom Hemingway

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Steven Shaviro, The Rhythm Image: Music Videos and New Audiovisual Forms (New York; London; Dublin: Bloomsbury Academic, 2023).
Book Review: Steven Shaviro, The Rhythm Image: Music Videos and New Audiovisual Forms (New York; London; Dublin: Bloomsbury Academic, 2023).

Jacob Browne

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course
The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course

Ekin Pinar

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel
Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel

Estrella Sendra

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Young (Woman) Filmmaker(s)
Young (Woman) Filmmaker(s)

Katie Bird

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto
The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto

Jolene Alexandria Mairs Dyer

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5