Articles

76 results

Smartphone film, memory’s connective turn and the aesthetics of embodiment in Do You Remember That Year? (2020)

Piotr Cieplak

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Flashes in the Pan: Short Lived Trends, Television Star Specials, and the Transmedia Contexts of Elvis Presley’s 1968 “Comeback”

Anthony Thomas McKenna

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Şehnaz, Elmas, Mina, and the Others, Who Kill The Angel in Their Houses

Pinar Fontini

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Book Review: Cardwell, Sarah, Jonathan Bignell, and Lucy Fife Donaldson (eds), Epic / Everyday: Moments in Television (Manchester, UK: Manchester University Press, 2023).

Leanne Weston

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

Review: K. J. Donnelly and Louis Bayman (eds.), Folk Horror on Film. Return of the British Repressed

Tim Lindemann

2024-08-30 Volume 6 • Issue 2 • 2024 • Volume 6, Issue 2

'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker
'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker

James Michael Slaymaker

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Tennis | House: Medical Imaging as Videographic Criticism

Kevin L Ferguson

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Abraham Lincoln in the Hollywood cinema
Abraham Lincoln in the Hollywood cinema

Tom Brown

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)
Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)

Gillian Kelly

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).
Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).

Kevin Geddes

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Jon Lewis, The Godfather, Part II (London: Bloomsbury, 2022)
Book Review: Jon Lewis, The Godfather, Part II (London: Bloomsbury, 2022)

Tom Hemingway

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

Book Review: Steven Shaviro, The Rhythm Image: Music Videos and New Audiovisual Forms (New York; London; Dublin: Bloomsbury Academic, 2023).
Book Review: Steven Shaviro, The Rhythm Image: Music Videos and New Audiovisual Forms (New York; London; Dublin: Bloomsbury Academic, 2023).

Jacob Browne

2023-12-20 Volume 6 • Issue 1 • 2023 • Volume 6

The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course
The Place of Women’s Filmmaking in an Interdisciplinary Architecture Course

Ekin Pinar

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel
Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel

Estrella Sendra

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Young (Woman) Filmmaker(s)
Young (Woman) Filmmaker(s)

Katie Bird

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto
The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto

Jolene Alexandria Mairs Dyer

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Teaching Nearby, Learning Nearby
Teaching Nearby, Learning Nearby

Feride Cicekoglu, Colleen B Kennedy-Karpat, Melisa Önel and Fetullah Solhan

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Teaching Women's Filmmaking: Dossier Introduction
Teaching Women's Filmmaking: Dossier Introduction

Colleen B Kennedy-Karpat

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Book Review: Stefania Marghitu, Teen TV (Oxford: Routledge, 2021)
Book Review: Stefania Marghitu, Teen TV (Oxford: Routledge, 2021)

Aidan Dolby

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Book Review: Karen McNally (ed.), American Television during a Television Presidency (Detroit: Wayne State University Press, 2022).
Book Review: Karen McNally (ed.), American Television during a Television Presidency (Detroit: Wayne State University Press, 2022).

Victoria Pistivsek

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Book Review: Maria Flood, Moonlight: Screening Black Queer Youth (London and New York: Routledge, 2022)
Book Review: Maria Flood, Moonlight: Screening Black Queer Youth (London and New York: Routledge, 2022)

Luis Freijo

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Book Review: Katherine Whitehurst, Precious: Identity, Adaptation and the African-American Youth Film (London and New York: Routledge, 2022)
Book Review: Katherine Whitehurst, Precious: Identity, Adaptation and the African-American Youth Film (London and New York: Routledge, 2022)

Debbie Olson

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Book Review: Anna Backman Rogers, Picnic at Hanging Rock (London: Bloomsbury, 2022)
Book Review: Anna Backman Rogers, Picnic at Hanging Rock (London: Bloomsbury, 2022)

Derek Johnston

2023-01-09 Volume 5 • Issue 2 • 2022 • Volume 5

Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978)
Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978)

Cathy Lomax

2022-07-31 Volume 5 • Issue 1 • 2022 • Volume 5

Breaking conventions? Political ideology of films with explicit sex
Breaking conventions? Political ideology of films with explicit sex

Oliver Kenny

2022-07-31 Volume 5 • Issue 1 • 2022 • Volume 5